BIBLIOGRAPHY
Albertson, Chris. Bessie . New York: Stein and Day, 1972.
Altman, Linda J. Natalie Cole: Star Child . St. Paul, MN: EMC Corp., 1977.
Ammer, Christine. Unsung: A History of Women in American Music . Contributions in Women's Studies, Number 14. Westport, CT: Greenwood Press, 1980.
Anderson, E. Ruth (comp.). Contemporary American Composers: A Biographical Dictionary . 2d ed. Boston: G.K. Hall, 1982.
Balfe, Judith Higgins (ed.). Paying the Piper: Causes and Consequences of Art Patronage . Urbana: University of Illinois Press, 1993.
Barr, Cyrilla. Elizabeth Sprague Coolidge: American Patron of Music . New York: Schirmer, 1998.
Battersby, Christine. Gender and Genius: Towards a Feminist Aesthetics . London: The Woman's Press, 1989.
Beckett, Wendy. Peggy Glanville-Hicks. Sydney: Angus and Robertson Imprint, 1992.
Blacker, Corinne E., and Patricia Juliana Smith (eds.) En Travesti: Women, Gender Subversion, Opera . New York: Columbia University Press, 1995.
Blair, Karen. The Torchbearers: Women and Their Amateur Arts Associations in America, 1890’Äì1930 . Bloomington: Indiana University Press, 1994.
Block, Adrienne Fried, and Carol Neuls-Bates (eds.). Women in American Music: A Bibliography of Music and Literature . Westport, CT: Greenwood Press, 1979.
Block, Adrienne Fried. Amy Beach, Passionate Victorian: The Life and Work of an American Composer, 1867’Äì1944 . New York: Oxford University Press, 1998.
Boulding, Elise. The Underside of History: A View of Women Through Time . Boulder, CO: Westview Press, 1976. Rev. ed., Newbury Park, CA: Sage Publications, 1992.
Bowers, Jane and Judith Tick (eds.). Women Making Music: The Western Art Tradition, 1150’Äì1950 . Urbana, IL: University of Illinois Press, 1986.
Boyer, Clarence Horace. How Sweet the Sound The Golden Age of Gospel . Washington, DC: Elliott and Clark, 1995.
Bradley, Carol June. American Music Librarianship: A Biographical and Historical Survey . New York: Greenwood Press, 1990.
Brennan, Shawn (ed.). Women's Information Directory: A Guide to Organizations, Agencies, Institutions, Publications, Services, and Other Resources Concerned With Women in the United States . Detroit: Gale Research Inc., 1993.
Brett, Philip, Elizabeth Wood, and Gary C. Thomas (eds.). Queering the Pitch: The New Gay and Lesbian Musicology. New York and London: Routledge, 1994.
Briscoe, James (ed.). Contemporary Anthology of Music By Women. Bloomington: Indiana University Press, 1998.
Briscoe, James (ed.). Historical Anthology of Music By Women . Bloomington: Indiana University Press, 1987.
Buckley, Gail Lumet. The Hornes: An American Family . New York: Knopf, 1986.
Busnar, Gene. Superstars of Rock. II. New York: Messner, 1984.
Burns, Kristine H. (ed) 2002. Women and Music in the US Since 1900: An Encyclopedia ,Westport CT: Greenwood Publishing, Inc., 2002.
Cardoso Junior, Abel. Carmen Miranda, a cantora do Brasil . São Paulo: Cardoso Junior, 1978.
Chilton, John, and Buck Clayton. Billie's Blues: Billie Holiday's Story 1933’Äì1959 . NY: Stein and Day Publishers, 1975.
Citron, Marcia J. Gender and the Musical Canon . Cambridge: Cambridge University Press, 1993.
Claghorn, Charles Eugene. Women Composers and Hymnists: A Concise Biographical Dictionary. Metuchen, NJ: Scarecrow Press, 1984.
Claghorn, Charles Eugene. Women Composers and Songwriters . Metuchen, NJ: Scarecrow Press, 1996.
Clarke, Donald. Wishing On The Moon: The Life and Times of Billie Holiday . New York: Penguin Books, 1995.
Cohen, Aaron I. International Encyclopedia of Women Composers. 2nd ed. New York: Books and Music, 1987.
Cohen, Aaron I. International Discography of Women Composers. Westport CT: Greenwood Press, 1984.
Coleman, Ray. The Carpenters: The Untold Story (An Authorized Biography) . New York: Harper Collins, 1994.
Colin, Sid. Ella . London: Elm Tree Books, 1987.
Comden, Betty. Singin' in the Rain . New York: Viking Press, 1972.
Cook, Susan C., and Judy S. Tsou (eds.). Cecilia Reclaimed: Feminist Perspectives on Gender and Music . Urbana and Chicago: University of Illinois Press, 1994.
Cooper, Sarah (ed.). Girls! Girls! Girls!: Essays on Women and Music . New York: New York University Press, 1996.
Dahl, Linda. Stormy Weather: The Music and Lives of a Century of Jazzwomen. New York: Pantheon Books, 1984.
Daniels, Rebecca. Women Stage Directors Speak: Exploring the Influence of Gender on Their Work . Jefferson, North Carolina: McFarland and Co., 1996.
Davenport, Marguerite M. Azalia: The Life of Madame E. Azalia Hackley . Boston: Chapman and Grimes, 1947.
Detels, Claire. Soft Boundaries: Re-visioning the Arts and Aesthetics in American Education . Westport: Greenwood Publishing, 1999.
Dickerson, James. Women on Top: The Quiet Revolution That's Rocking the American Music Industry . NY: Billboard Books, 1998.
Douglas, Ann. The Feminization of American Culture . New York: Knopf, 1977.
Drinker, Sophie . Music and Women: The Story of Women in Their Relation to Music. New York: Coward, McCann, Inc., 1948. Rept., New York: Feminist Press of the City University of New York, 1995, with preface by E. Wood, afterword by R. Solie.
Dudden, Faye E. Women in the American Theatre: Actresses and Audiences (1790’Äì1870). New Haven: Yale University Press, 1994.
Ebel, Otto. Women Composers: A Biographical Handbook of Woman's Work in Music. Brooklyn, NY: F. H. Chandler, 1902. 3rd ed.; New York: Chandler-Ebel, 1913.
Ellinwood, Leonard Webster. The History of American Church Music . New York: Da Capo Press, 1970.
Ericson, Margaret D. Women and Music: A Selective Annotated Bibliography on Women and Gender Issues in Music, 1987’Äì1992 . New York: G.K. Hall, 1996.
Fuller, Sophie. The Pandora Guide to Women Composers: Britain and the United States 1629’ÄìPresent . San Francisco, CA: Pandora, 1994.
Gaar, Gillian G. She's A Rebel. The History of Women in Rock and Roll . Seattle: Seal Press, 1992.
Gordy, Berry. To Be Loved: The Music, The Magic, The Memories of Motown: An Autobiography . New York: Warner Books, 1994.
Gourse, Leslie. Madame Jazz : Contemporary Women . New York: Oxford University Press, 1995.
Gourse, Leslie. Madame Jazz: Contemporary Women Instrumentalists . New York: Oxford University Press, 1995.
Grattan, Virginia L. American Women Songwriters: A Biographical Dictionary. Westport and London: Greenwood Press, 1993.
Green, Lucy. Music, Gender, Education . Cambridge: Cambridge University Press, 1997.
Green, Mildred Denby. Black Women Composers: A Genesis. Boston: Twayne, a division of G.K. Hall, 1983.
Greene, Ellen. Reading Sappho: Contemporary Approaches . University of California Press, 1996.
Groh, Jan Bell. Evening the Score: Women in Music and the Legacy of Frédérique Petrides . Fayetteville: University of Arkansas Press, 1991.
Hager, Andrew G. Satin Dolls: The Women of Jazz . New York: Friedman/Fairfax Publishers, 1997.
Halstead, Jill. The Woman Composer . Brookfield, VT: Ashgate Publishing Co., 1997.
Handy, D. Antoinette. Black Women in American Bands and Orchestras . 2d ed. Lanham, MD : Scarecrow Press, 1998.
Handy, D. Antoinette. The International Sweethearts of Rhythm . Metuchen, NJ: Scarecrow Press, 1983.
Harrison, Daphne Duval. Black Pearls Blues Queens of the 1920s . 3d ed. New Brunswick, NJ: Rutgers University Press, 1993.
Haskins, James. Lena Horne . New York: Coward-McCann, 1983.
Herndon, Marcia, and Susanne Ziegler (eds.). Music, Gender, and Culture . Wilhelmshaven, West Germany: Florian Noetzel Verlag, 1990.
Hixon, Don, and Don Hennessee. Women in Music: An Encyclopedic Biobibliography. 2nd edn. 2 vols. Metuchen, NJ: Scarecrow Press, 1993.
Hyman, Paula E., and Deborah D. Moore (eds.). Jewish Women in America: An Historical Encyclopedia . New York: Routledge, 1997.
Isoardi, Steven L. Central Avenue Sounds: Melba Liston. Oral History . Los Angeles: University of California, 1996.
Jezic, Diane. Women Composers: The Lost Tradition. 2d ed. New York: Feminist Press, 1994.
Johnston, Nick. Patti Smith: A Biography . London: Omnibus Press, 1997.
Kaminer, Wendy. Women Volunteering: The Pleasure, Pain, and Politics of Unpaid Work from 1830 to the Present . Garden City, NY: Anchor Press, 1984.
Lather, Patti. Getting Smart: Feminist Research and Pedagogy . New York: Routledge, 1991.
Leder, Jan (comp.). Women in Jazz: A Discography of Instrumentalists, 1913’Äì1968 . Discographies, no. 19. Westport, CT: Greenwood Press, 1985.
LePage, Jane Weiner. Women Composers, Conductors, and Musicians of the Twentieth Century: Selected Biographies. Metuchen, NJ: Scarecrow Press, 1980. Vol. 2, 1983. Vol. 3, 1988.
Lewis, Lisa A. Gender Politics and MTV: Voicing the Difference . Philadelphia: Temple University Press, 1990.
Lindeman, Carolynn A. Women Composers of Ragtime . Bryn Mawr, PA: Theodore Presser Company, 1985.
Lloyd, Fran (ed.). Deconstructing Madonna . London: Batsford, 1993.
Locke, Ralph P., and Cyrilla Barr (eds.). Cultivating Music in America: Women Patrons and Activists Since 1860 . Berkeley: University of California Press, 1997.
McClary, Susan. Feminine Endings: Music Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.
Meggett, Joan M. Keyboard Music by Women Composers: A Catalogue and Bibliography. Westport, CT: Greenwood Press, 1981.
Moore, Mary Ellen. The Linda Ronstadt Scrapbook . New York: Grosset and Dunlap, 1978.
Mordden, Ethan. Coming Up Roses: The Broadway Musical in the 1950s . New York: Oxford University Press, 1998.
Neuls-Bates, Carol (ed.). The Status of Women in College Music: Preliminary Studies. College Music Society, Report No. 1. Binghamton, NY: College Music Society, 1976.
Neuls-Bates, Carol (ed.). Women in Music: An Anthology of Source Readings from the Middle Ages to the Present. (New York: Harper and Row, 1982). Revised ed.; Boston: Northeastern University Press, 1996.
Nichols, Janet. Women Music Makers: An Introduction to Women Composers . New York: Walker and Company, 1992.
Nochlin, Linda. Women, Art, and Power and Other Essays . New York: Harper and Row, 1988.
O'Brien, Lucy. She Bop: The Definitive History of Women in Rock, Pop, and Soul . London: Penguin Books, 1995.
O'Dair, Barbara (ed.). Trouble Girls: Rolling Stone Book of Women in Rock . New York: Random House, 1997.
Orloff, Katherine. Rock ’Äòn Roll Woman . Los Angeles: Nash, 1974.
Pendle, Karin (ed.). Women and Music: A History. Bloomington and Indianapolis: Indiana University Press, 1991.
Purim, Flora. Freedom Song: The Story of Flora Purim . New York: Berkley Books, 1982.
Sadie, Julie Anne, and Rhian Samuel (eds.). The New Grove Dictionary of Women Composers . New York: W.W. Norton, 1994.
Schwichtenberg, Cathy (ed.). The Madonna Connection : Representational Politics, Subcultural Identities, and Cultural Theory . Boulder: Westview Press, 1993.
Sexton, Adam. Desperately Seeking Madonna . New York: Dell Publishing, 1993.
Shortchanging Girls, Shortchanging America . New York: American Association of University Women, 1991.
Skowronski, JoAnn. Women in American Music: A Bibliography. Metuchen, NJ and London, England: Scarecrow Press, 1978.
Slobin, Mark. Chosen Voices: The Story of the American Cantorate . Chicago: University of Illinois Press, 1989.
Smith, Jessie Carney (ed.). Notable Black American Women . Detroit: London: Gale Research, 1992.
Smith, Julia (ed.). Directory of American Women Composers with Selected Music for Senior and Junior Clubs. Chicago: National Federation of Music Clubs, 1970.
Solie, Ruth (ed.) . Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley: University of California Press, 1993.
Stern, Susan Women Composrs: A Handbook. Metuchen, N.J.: Scarecrow Press, 1978.
Stewart-Green, Miriam. Women Composers: A Checklist of Works for the Solo Voice. Boston: G.K. Hall, 1981.
Tong, Rosemarie Putnam. Feminist Thought: A More Comprehensive Introduction . 2d ed. Westview Press, 1998.
Walker-Hill, Helen. Music by Black Women Composers: a Bibliography of Available Scores . Chicago: Center for Black Music Research, Columbia College, 1995.
Walker-Hill, Helen. Piano Music by Black Women Composers: A Catalog of Solo and Ensemble Works. New York: Greenwood Press, 1992.
Williams, Ora. American Black Women in the Arts and Social Sciences: A Bibliographic Survey. 3rd edition, revised and enlarged. Metuchen, NJ: Scarecrow Press, 1994.
Zaimont, Judith (ed.). The Musical Woman: An International Perspective . 3 volumes. Westport, CT: Greenwood Press, 1984, 1987, 1991.
Zaimont, Judith Lang, and Karen Famera (eds.). Contemporary Concert Music by Women: A Directory of the Composers and Their Works . Westport, CT: Greenwood Press, 1981.
Copyright September 1996,
updated February 2004.
Kristine H. Burns,
Florida International University
Questions? Contact me.
Return to WOW/EM
Go to the Menu